John Shaw's Guide to Digital Nature Photography, by John Shaw
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John Shaw's Guide to Digital Nature Photography, by John Shaw
Read Online and Download John Shaw's Guide to Digital Nature Photography, by John Shaw
Photography legend John Shaw returns with his much-anticipated guide to digital nature photography, complete with more than 250 extraordinarily beautiful photographs. For over four decades, John Shaw’s authentic voice and trusted advice has helped photographers achieve impressive shots in the great outdoors. In his first-ever book on digital photography, Shaw provides in-depth advice on everything from equipment and lenses to thorough coverage of digital topics including how to use the histogram. In addition, he offers inspirational and frank insight that goes far beyond the nuts and bolts of photography, explaining that successful photos come from having a vision, practicing, and then acquiring the equipment needed to accomplish the intention. Easily digestible and useful for every type of photographer, and complete with more than 250 jaw-dropping images, John Shaw’s Guide to Digital Nature Photography is the one book you’ll need to beautifully capture the world around you.
John Shaw's Guide to Digital Nature Photography, by John Shaw- Amazon Sales Rank: #190463 in Books
- Brand: Shaw, John
- Published on: 2015-03-17
- Released on: 2015-03-17
- Original language: English
- Number of items: 1
- Dimensions: 9.74" h x .68" w x 7.82" l, .81 pounds
- Binding: Paperback
- 240 pages
About the Author JOHN SHAW is the author of many enduring bestsellers, including seven previous books on nature photography. His work is frequently featured in National Geographic, Nature’s Best, National Wildlife, Outdoor Photographer, Natural History, Sierra, and Audubon magazines, as well as in calendars, books, and advertisements. He has photographed on every continent, from the Arctic to the Antarctic, and leads sold-out workshops around the globe. Visit him at johnshawphoto.com.
Excerpt. © Reprinted by permission. All rights reserved. What Is There to Photograph? Each year, I travel the globe to take pictures, often leading photo tours or workshops. The people in these groups are specifically interested in photographing the natural world, yet it’s on these trips that I inevitably hear the question “What is there to photograph?” Truly this is the wrong question to ask; it leads photographers to take pictures that are empty of emotional content. Without passionate involvement, our pictures are nothing more than records. The question we should be asking is “What is there to discover?” Only after we have let our minds and eyes deal intimately with the abundance of natural marvels around us should we attempt to photograph them. Photography should be both a process of discovery and a procedure for recording that discovery. In the process of photography, we order the chaos around us by making decisions. We decide to emphasize one aspect of the world—what we have discovered—and ignore all others. We want to represent that subject in a way that conveys how it has emotionally involved us. To do this, we must make conscious decisions about what to include within the photographic frame and how to organize the content. At this point, the procedure of photography enters. Now we must make technical choices involving the mechanics of photography: lenses, light, and exposure. The photographic process should be deliberate and studied. Structuring our visual environment is the role of composition, but that structure doesn’t just appear from nowhere. Nor is the procedure of choosing lenses and setting exposure values automatic. We must become adept in dealing with both the aesthetics and the mechanics of photography; otherwise, our results will be failures. Photography’s dual nature has always fascinated me. In a good photograph, both aspects work in tandem, neither overwhelming the other. Form and content go hand in hand to produce a synthesis, an interesting work that engages both the viewer’s mind and emotions. To achieve this synthesis, you, the photographer, must play two simultaneous roles as well. On one hand, you must be a poet and an artist, opening yourself to the intuitive and mystical world of your inner vision. On the other hand, you must be a technician, rationally dealing with shutter speeds, f-stops, and focal lengths. Vision without craftsmanship is as much a failure as craftsmanship without vision. We’ve all seen photos that are intensely personal and emotional yet lack any technical competence. We dismiss these as lacking organization and think the creator cannot control the medium. We’ve all also seen photos that are technically superb but have no soul. These are aesthetically insipid, dull, and uninspiring works. Most people have more difficulty with the technical aspect. We all see images in our mind’s eye . . . but how to record these? We take an interesting trip, but the resulting pictures seem to have little relationship with our experiences. Why? I’m convinced that the main factor is that most of us are only occasional photographers; consequently, we’re always starting over in the learning process. A solution many people adopt is to buy a fancy camera and then set it in autofocus/autoexposure/auto-everything mode so that they don’t have to think about what the camera is doing. However, this means that they have abdicated their photographic responsibilities; they have become camera carriers, not photographers. They are allowing a machine to make decisions for them, without learning how to control the machine. I’m always amazed by people who say that cameras are too complex for them to learn to operate. I’ve seen people who otherwise are extremely competent become helpless when dealing with f-stop numbers or using a tripod. Yet these same people are doctors, lawyers, teachers, and computer programmers—people who make complex decisions every day. A camera is only a machine and no more a technical mystery than any other machine. If you can drive a car, ride a bicycle, or use a cell phone, you can operate a camera (and not just the one in your smartphone!). Mastering the technical nature of photography frees you to concentrate on the aesthetic side; that’s why I emphasize technique so much. If you’re fumbling around with lenses and tripods, your inner vision will soon evaporate. You want to reach the point where technical mastery is second nature, where you can concentrate on the image instead of having to focus on the procedure. Control of both sides of photography, the technical and the aesthetic, is needed so that you can produce the best images possible.
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Most helpful customer reviews
21 of 25 people found the following review helpful. Great for the new nature photographer By john4jack If you are new to photography, this book would be very helpful. If you have your gear and know how to use it, this book is a huge disappointment. I expected much more from the fabulous nature photographer, John Shaw. Very little is about enablng your vision as a nature photographer. The introduction is terrific and created great expectations. Then he went on for 148 pages talking about equipment and how to use it. After page 199, it was back to equipment. I felt quite misled by the reviews. It felt as if we had not read the same book. What I was expecting was something much more along the lines of Jack Dykinga's superb, "Capture the Magic," or Art Wolfe's, "The New Art of Photographing Nature."
3 of 3 people found the following review helpful. Good for DSLR camera owners who want to get the most from their gear By Debbie "John Shaw's Guide to Digital Nature Photography" is a book about getting the most out of digital single-lens-reflex (DSLR) cameras and its gear. If you have a Nikon D3 or similar camera, or if you have thousands of dollars to spend on a camera body, lens, filters, software, tripods, and other equipment, then this book will make sure you get the best pictures that you can from that gear. It also explains what gear is good for what type of pictures, so you don't end up buying gear that you'll rarely use.About 95% of this book is about selecting and using the DSLR camera equipment. The remaining 5% applied to using any digital camera. He generally assumed the reader had heard this more basic, general information before and only covered it as a quick review.Unfortunately, I took the book description of "useful for every type of photographer" seriously. I've taken a college-level photography course before, but it was for point-and-shoot cameras and mainly covered composition. I wanted to learn about more manual control of digital cameras (f stops, ISO, etc.) and how to get better nature photographs, so I thought this would be the book for me. From the start, though, he assumed the reader knew what f stops, lens sizes, etc. were about and only later described that information to "remind" the reader. A glossary of terms or concepts would have been very helpful for someone like me, but there wasn't one.His photographs where lovely, but he didn't explain the reasons he chose certain gear and settings for the photographs. I enjoyed looking at them, but I learned very little from them. He included only a few illustrations that demonstrated what he was explaining in the text. When he did, it was an immediate, "oh, I understand now!" for me. However, he generally told the reader to go out and experiment until you understand. So I ended up understanding very little of what appeared to be very detailed and helpful information since it didn't apply to the camera I actually own.I received this book from the publisher through Blogging for Books.
3 of 3 people found the following review helpful. Great resource By T. Murrell John Shaw is a well known, amazing photographer. He's combined some of his amazing photography with in-depth and practical advice for photographing nature at its best. Each page is filled with stunning views of nature and each chapter discusses a different aspect of DSLR photography.I was definitely impressed with this book from the very first glimpse. The photography is, naturally, outstanding. The information is informative and helpful, especially for the beginner in photography. The text is very small, but was still readable for me. The authors instructions were more like a class than a conversation, but in his own voice. This book is amazing and will definitely be added to my library. I would recommend this book to anyone who is getting into photography or needs the information to take that next step in their learning.I received this book free of charge from Blogging for Books in exchange for my honest review.
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